知名综艺导演罗英石PD在YouTube上的个频道因出众的罗PD节目风格而备受大众喜爱。此次，罗PD将日常生活场景公开，以微综艺形式，为观众带来好友闲聊的家庭酒局《罗pd和认识的哥哥一起》。 演员李瑞镇作为罗PD好友代表促成了此次节目，平日里他总会来到罗PD团队的企划室，作为秘密基地，喝酒聊天，罗PD便将这样的场景公开，为观众带来明星的休闲日常。

Cho-dong is an unknown writer who thinks of himself as a black pigeon. A complex city with people who call ostentatious and foolish tastes beautiful. He calls them peacocks. When Moha appears infront him, his firm beliefs begin to waver. A day of searching to find Moha again, who disappeared before his eyes while avoiding the peacocks. Will he be able to find his own answer about beauty?

Director Ryu Hyung-seok, who served as a conscripted firefighter during his mandatory military service, made a documentary about firefighters. Responding to calls from those on the edge of life and death, these modern-day heroes at the Yangsan Firestation and Ulsan Fire Headquarters are the focus of The First Responders. Without voiceover narration or interview shots, the film captures not only the team’s work and daily lives, but also their inner darkness, desires, and the difficult fate inherent in their profession. Here, the camera is not simply a tool for recording but is one of them, acting as their eyes. “Just strip away all emotion and focus on what you need to do,” one firefighter says, and the documentary mirrors this approach, moving steadily forward without being swept up by emotional waves. Yet the film inevitably reaches heart-warming moments. This documentary offers an exceptionally humanistic insight into the profession.

Cheol-ho is a spinal cord injury patient who became paralyzed due to a sudden accident. 　　His only guardian was his father, Seong-gyu, until he died in cancer. Seong-gyu, a wealthy man, foresaw that leaving his son with a large inheritance and no family would make him vulnerable to unscrupulous individuals. To protect Cheol-ho, Seonggyu legally acknowledged Ji-eun, a child born between Seong-gyu and his mistress, as his daughter after thirty years of estrangement. Ji-eun discovers that she has also been appointed as Cheol-ho’s guardian. Seong-gyu has tricked her into a financial trap that requires her to keep Cheol-ho alive for over 10 years if she wants to be eligible for inheritance.

믿음과 소망 자매는 불상사에 산다. 어느 날 티비에서 산타 할아버지를 본 소망은 크리스마스에 산타가 절에 오기를 기다린다.

교감 승진을 앞두고 있던 어느 날, 영미는 사고로 아들을 잃었다. 조용한 시골 교육원에서 평화교육을 하며 마음을 다스리고 지내던 영미는 현지가 교육생으로 오면서 다시 감정의 소용돌이에 휘말린다.

그저 친구와 놀 수 있다면 행복한 소녀들. 그러나 겨울이 지나 눈부신 여름이 되자 두 소녀의 우정에 조건이 생긴다.

This expanded cinema explores the hypnotic grip of film and questions its role in shaping our memories and perceptions long after the credits roll. 　　In Undercurrent’s first-ever expanded cinema piece, performer-director HeeSue Kwon reimagines the filmic experience. The projector extends itself beyond a mechanical device: it transforms into a living entity, reanimating the collective memories of its audience. Through Kwon’s live manipulation of flickers and intervals, the cinematic apparatus gains autonomy, continuously looping and coming alive. 　　Using a reverse diffusion model, Melting Fire Iceman employs AI to portray the fluid, shifting nature of cinema’s core memories. Early films, drawn from online repositories and the Korean Film Archive, are dissolved and reimagined by AI, seemingly in an infinite cycle of rebirth. In this mesmerising process, the boundaries between memory, spectatorship and the cinematic experience are redefined.